In the end, it's the emotional experience that you remember most, not the facts and the details.

As my indulgence towards gogglebox has drastically been decreasing ever since I stepped my feet on to a new realm of era half a decade ago, a few shows actually manage to pull off their consistency in making themselves compelling to watch, creating a sense of necessity not to miss them. One of those is Inside the Actors Studio, hosted by James Lipton, and a few minutes ago Arts Central broadcasted the episode with Juliette Binoche sitting on the red chair.
Skip the duh!-everybody-knows-it fact that she has proven herself to be a consummate artist all these years with towering body of works no other actors would ever attempt to imitate, something took me aback when she recalled the experience of making Bleu from Kryzstof Kieslowski's Three Colors Trilogy and Anthony Minghella's The English Patient.

She cried.

She blurted her words out and tears just started flowing from her bright wide eyes.

Now, I wonder if you've seen both films, but if you have, I'd rest my case if you told me that you were not taken to a state of emotional upheaval when you watch Bleu and transported to a rollercoaster ride of heartwrenching feeling in The English Patient. Was she wonderful in both films? Can't argue on this. Was she good? I can only challenge you to come up with better queries. Was she emotionally involved in her characters? Yes, she was, or I'd say, she still is.

It's the kind of life that we always long for, to engage ourselves fully in whatever we are doing and we are walking through. When we give our whole mind and soul completely, wouldn't a single exhale brings an air of relief to purify the inner self? Yet, fear rules. Fear of losing what's not meant to be kept. Fear of rejecting what's not supposed to be accepted. Constant fear of insecurities that prevents this God-made creature to walk beyond the grey area. And we keep the fear, masking it by turning that into obsession over tangible-aziation of everything, both sides.

Yet, we turn away from the emotional calling.

Whatever I'm rumbling about tonight, let's have our mind open and always ready to fill it in with wonders of the life. Don't make an attempt to prevent them, after all, I'd give my outer existence to filter 'em for me.