Ekspedisi Madewa

If one starts feeling uncomfortable watching actors in a big screen uncomfortably playing their roles in a film, then the film viewed is in a serious trouble.

Add that with the lack of adequate technical supremacy, something considered vital for the execution of the film here, what do we have then?

We have Ekspedisi Madewa.

The reason why it fails to spark the hysteria of Indiana Jones, as clearly the film is modeled on, can be pointed to many elements. Referring to my point earlier, the star-gazing treatment of a supposedly blockbuster film means that the film is determinedly be carried by a star, or two, as the main attraction. Seeing Tora Sudiro in his static expression throughout many action sequences, as if not sure if he believes in the script that asks him to pull a gun or to climb up, leaves us thinking if he actually screams for help to get him out of the film. Worse, the presence of Arie Dagienkz as the sidekick intended to give the film a fresh air from his humor, falls flat as his joke often seems tepid and unfunny, and not a single scene is able to make him established a character on his own.


Another point to sanctify in this film is its failure to present itself as an action adventure film, to the very least point of getting a proper look. The genre, which relies heavily on the existence of good editing, both in visual and sound department, seems to neglect the crucial technical qualities here. Some unthinkable fatal mistakes, as apparent in shooting the film in a digital camera then blowing it to the big screen, only make us wondering if the experiment of making the film is really disheartening.

Perhaps, the expedition on the subject needs to turn the direction to expedite a proper filmmaking that serves any intended genre, without leaving its audience in unintended confusion.